Catchy hooks and unforgettable lyrics in abundance, like or loathe the music she makes, her success speaks for itself and her first two albums achieved nine top 10 hits on the Billboard charts. Whether youвЂ™re a fan or not, it is hard to deny that Ke$ha makes great pop songs. вЂWake up in the morning feeling like P DiddyвЂ™вЂ¦. To begin with the dollar sign in Ke$haвЂ™s name was an ironic nod to being broke but now everyone knows that it spells success. Having worked hard to get to that point, Ke$ha wasnвЂ™t going to stop there and the success continued with the release of her second album вЂWarrior. That album became вЂAnimalвЂ™ which hit the top of the Billboard charts when it was released in January 2010 birthing the massive single вЂTik TokвЂ™. The appearance did however act as a catalyst for her signing a deal with RCA and finally being able to put the finishing touches to an album that she had already been working on for 6 years. Her first breakthrough came when she sang backing on Flo RidaвЂ™s massive hit вЂRight RoundвЂ™ but, determined to make it on her own terms, she declined featuring in the video or taking any credit for the performance. Slowly, with Dr Luke's tutorage, Kesha began to write songs for artists and feature as a backing singer but still had to waitress on the side in order to live. When she was just 17 she was persuaded to drop out of school and return to California to pursue music by songwriter and producer вЂDr LukeвЂ™ who subsequently signed Kesha to his label and publishing company. When the family moved to Nashville, a young KeshaвЂ™s out-there persona did not sit well with the conservative surroundings however she used the time productively to work on her music and built her craft. KeshaвЂ™s cartwheel was lame, enthusiastic and joyful.Born in California in 1987, Kesha Rose Sebert was raised by a single mother who was a successful singer-songwriter in her own right but struggled financially, torn between the demands of her craft and the need to support her family. Now: If Rihanna or BeyoncГ© worked a cartwheel into her concerts, you can imagine it as close to perfect. They hoisted comically large cameras, pretending to photograph one another, in вЂњDirty Picture,вЂќ written by Taio Cruz, a not-very-funny song about sexting that doesnвЂ™t fit Kesha correctly they bound a willing audience member to a chair, with cling wrap, for вЂњGrow a Pear,вЂќ which fits her too easily they capered with plastic foam beer coolers for вЂњParty at a Rich DudeвЂ™s House.вЂќДЄnd also in вЂњPartyвЂќ they created a runway for Kesha, who turned a cartwheel. The nonmusicians turned out to be important, and they did more play-acting than dancing. (Her act isnвЂ™t sexy and doesnвЂ™t make you want to drink.) Kesha leads a pretty lean crew on the вЂњGet SleazyвЂќ tour, her first slate of headlining shows in North America: drummer, guitarist, keyboardist and a few auxiliary men and women dressed in afterthought wigs and miniskirts. On Wednesday she didnвЂ™t really play a vixen or a self-immolator or a campy diva. In body language and all other aspects, she doesnвЂ™t take the normal roles. It ended with a version of the Beastie BoysвЂ™ вЂњ(You Gotta) Fight for Your Right (to Party!)вЂќ and a piГ±ata bashing. It was both sharp and completely naГЇve, crass and sort of innocent, a sparkly anti-performance. It felt neither safe nor transgressive, but within some unmarked middle space, one involving confetti blown from air guns, fluorescent lipstick and a fuzzy phallus costume. The concert was likably ratty, semilegitimate electro-pop pantomime. (Before the end of the set she tackled a singer and tried to pull her guitaristвЂ™s pants down both of those gestures seemed unrehearsed.) She sang loudly and in tune, though she wasnвЂ™t fussy about it, and she let some of her better lines deflate and droop. Raps about boys and whiskey, delivered in a whine at the edge of laughter basic imitations of animal behavior - sticking her tongue out, curling her fingers like a cat about to scratch, licking her keyboard playerвЂ™s face clumsy and funny physical horseplay with members of her band. It turns out that Kesha is terrible at being a robot. She didnвЂ™t move much, in her torn fishnets and army boots she was cold, imperious, robotic. Kesha began her show at Roseland Ballroom on Wednesday night within a diamond shape of lights, wearing light-emitting sunglasses, singing and playing two synthesizers on a high platform.

Kesha get sleazy tour